Monthly Archives: June 2011

Not There Presents the 3rd Saturday of the Month @ Hot Cat

Starting in August we’re gonna be hosting a show at Hot Cat on the 3rd Saturday of every month. We’ll be booking other bands to play and we’re always interested in ideas, themes and other shenanigans. Anyone who wants “in,”  give us a shout and we’ll see what we can do.

Hot Cat is nice little club nestled in Fangjia hutong. It’s very close to El Nido if yer one of the hipster types who likes to listen to “Reggae from Venice” there. We’ve played at the Cat a lot over the last year, and everybody is looking forward to kicking it once a month.

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Filed under China, Music, Not There

Gamification

Increasingly, game mechanics are becoming more and more embedded in everyday life. Location check-ins, which at least 17 million people used last year, turn simple acts like buying a cup of coffee into a competition for status and offers. Conversations, or what passes for them anyway, occur on facebook via simulated “farm worlds” and co-mingle with a race to earn fake trophies, trinkets and all kinds of other pixel-ated rubbish.

In the 20th Century, “narrative” was the primary metaphor used to describe existence. It’s not hard to imagine a time in the not-to-distant-future when gaming becomes both more apt and commonplace. In a narrative, the power to self-create is manifest. In a game, you live and die by the rules.

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Filed under Culture

Groupon is Great Example of Everything a Band Shouldn’t Be

I read here that Groupon lost 400 million clams last year. Most of that booty was squandered on marketing costs associated with acquiring new customers. People don’t like to use Groupon more than once, so the company is forced to spend dollars constantly acquiring new customers. That’s not healthy and it’s one of the main reasons I think Groupon is doomed to fail.

Record companies are a lot like Groupon. They churn out a hit, it’s cool for awhile, then it dies. There’s no value-cycle, no career.

Good bands are all about building a long value cycle. They keep you guessing, keep you coming back for more. If you’re focused on a hit, there’s a great adjective for you: disposable. Enjoy the 15 minutes.

Tool, a band I don’t personally like, hasn’t ever had a hit, but they could sell out a shed almost anywhere in the world. Why? Substance. The dudes in tool can make money indefinitely. What are Color me Bad doing right now? Are they janitors?

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Filed under Digital

Turntable.fm

It’s a cool idea. If you haven’t heard of it check out this youtube video: http://www.youtube.com/watch?v=Nq1NgohicaI&feature=youtu.be

There’s only 1 thing I don’t like. You can’t upload songs from your computer and I don’t want to be limited to what’s in some internet radio cache. Music is inherently social and there is a great idea floating in the ether that links music to social media. I don’t know if this is it. Wait and see, that’s the attitude I’m taking.

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Filed under Digital, Music

Love for Clarence Clemons

Dude was “the Big Man.” He made Bruce Springsteen into something more than another Dylan clone.

“Rosalita” is one of my favorite songs. Whenever I listen to it, I can feel the energy, that strange American over-the-top energy-cascading out from the grooves.

I had no idea he was 69. But it takes a long time to get good. I’m not that surprised.

And yeah, there are a lot of people that can blow more notes than “the Big Man,” that can cut him to pieces. But do they have soul?

Further along Big Man.

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Finding It

I wish we had a tape of practice on Sunday. The first hour and a half was the best Not There has ever sounded. Something has clicked and I feel like we’re finding it our way into the pocket.

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10 Features of a Good Band

  1. Your music makes people take a stand.
  2. It takes a few times for people listening to get it.
  3. You practice your ass off.
  4. You take chances and make everything you do a unique experience.
  5. You have something to say. It doesn’t matter how good you are at your instrument if you’re talkin’ loud and sayin’ nothing.
  6. You live to play shows.
  7. You invest what you make in good equipment and support people first.
  8. Your music brings a community of listeners together. See Phish, the dead, Black Sabbath, Black Flag. People love those bands. No one loves a pop star.
  9. You listen to a lot of music and never close your ears to what’s new.
  10. You write a lot of songs and throw away everything that’s not great.

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Filed under Music

Roberto Luongo

Dude is gagging big-time. He is a sieve.

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Filed under Sports

iCloud

The record companies waited too long. They should have released a profit-sharing subscription model 5 years ago. Or bought Spotify. Or done something.

Instead the Majors sat on their hindquarters, suing kids for downloading “Happy Birthday,” and whining about “the internet killing music.”

And now there’s iCloud.

For 25 bones a year you can store your whole music “collection” somewhere in cloud-land and access it from anything that runs iOS. 25 bucks is less than a large Pizza and a 6 pack in some places. That 25 bucks includes all the fun stuff you d/l’d from torrents. It includes ripped CDs. It includes stuff from iTunes which some people will always prefer because it’s more convenient.

So why would anyone want a subscription based music service like Spotify now? Uh they won’t. Unless the service is somehow faster, better and easier to use (which I’m sure Sony & Warner will be able to nail…not).

It’s too late for the Record Companies. What’s sickening is that in the “Age of Content” they were sitting on piles & piles of content and somehow managed to be late for dinner. Guess what kids, the roast beef is eaten and the ice cream has melted. Steve Jobs is having Sherry and laughing at you.

Good riddance anyway. The whole industry was predicated on ripping off musicians. I trust apple more than that schmuck Tommy Mottola.

The only hope for the Majors is some kind of sweeping legislation/regulation. If people went to jail for d/l-ing music maybe they’d stop. But who’s gonna vote for the guys that want to stop you from d/l-ing?

The only service labels provide at this point is marketing. Basically, they’re just bad advertising agencies. U2 would probably do better with BBDO.

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Oblique Solutions

I wanted to follow up on the post I wrote about grooving yesterday.

What we strive to do is build a groove that’s so good, so tight, so dance-able, that we can be as creative as possible with the layers of sound that go over the groove. You might call that stuff harmony & melody, but I don’t think that way. I think in terms of layers of sound structured over a rhythm. Harmony & melody are like solutions to a problem for me, something that meshes with the groove. They’re complimentary.

I could listen to just the shaker in a Fela Kuti song like “Zombie” all day because that groove is so deep. You can feel the swish and swoosh of the damn thing like it’s cutting through you. What’s cool about Fela is that the layers of sound he structured over that massive groove are complex and evocative, they’re not easy solutions. Edoardo is always pushing us to think more obliquely. If the simple solution is a funk riff, fuck the funk riff and find something else. It can make things more difficult in the short-term, but it pays off with more unique music in the long-run.

I wrote about nothingness early today and I have to admit that I rarely write a part or think about what to play. Generally it’s just there. When I try to write something or find a solution to an existing song or riff, my bass playing usually sucks. I’ve never been happy with the bass in our song F Disco and I’ve been tinkering with that bastard for a year. I always heard something with a big slide starting on th C, but tried to ignore what I heard. With a little prodding from Dr. Nick I put the slide in and I think the song kicks ass now. Hopefully we’ll have a recording up here ASAP.

Here’s a  pretty sick Fela Set from the early 80s: http://www.youtube.com/watch?v=A-kMzxA-Ovw&feature=related

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